It remains one of the rare uplifting images that emerged from the attacks, in which 19 men killed 2,977 people in New York, Arlington and Pennsylvania, injured more than 6,000 and caused lasting trauma to millions. ![]() Like Franklin, Flores captured the scene on a digital camera and framed it vertically, with the destruction behind flattened by dust and perspective.īy the end of the week, Franklin’s shot was on its way to becoming “the most widely reproduced news picture of the new century,” writes journalist David Friend in Watching the World Change: the Stories Behind the Images of 9/11. Ricky Flores of the Journal-News took this photograph of the same scene. (From left to right: George Johnson, Dan McWilliams, Bill Eisengrein.) Soon it was everywhere: on posters, all over the Internet, hung in parks and people’s homes. ![]() In the days and weeks after the attacks, this image went viral. Photographer Tom Franklin was a Pulitzer finalist for this photograph, Raising the Flag at Ground Zero. (The stamp would go on to raise $10.5 million for first responders and their families.) ![]() Bush posed with McWilliams, Eisengrein and Johnson next to a commemorative stamp with their photo. He also earned a trip to the White House, where he and President George W. The shot eventually made Franklin a Pulitzer finalist. The New York Post ran it on the cover with the lyrics to the Star-Spangled Banner, and more publications soon followed suit. His paper sent the image out on the Associated Press wire shortly after midnight, and soon it was everywhere: on posters, all over the Internet, hung in parks and people’s homes. Of the three perspectives, just one- Franklin’s-became world-famous. Franklin aimed from below and zoomed in with a telephoto lens. The New Jersey-based Bergen Record’s Thomas E. Lori Grinker, on assignment for People magazine, and Ricky Flores of the Journal-News (Westchester County, New York) both shot from above, jostling for space in the window of a gutted building. But at least three journalists managed to get the moment on camera. The firefighters didn’t know they were being photographed. The three firefighters begin to raise the flag in the first of the series of Grinker's photographs. Evening light illuminated the scene: red, white and blue framed against twisted steel and thick, gray smoke. (The flagpole is thought to have been from the grounds of a Marriot hotel situated just next to the World Trade Center.) The wind picked up and the flag began to fly. one, raising it high enough that rescue crews still searching for survivors might see it from the valley of destruction below. Spotting a flagpole jutting out of a tall hill of debris, the trio took down a faded green flag and replaced it with the U.S. Inspiration struck, and he took it, enlisting fellow firefighters George Johnson (also Ladder 157) and Bill Eisengrein (Rescue 2) to carry the flag to the southeast corner of the wreckage-what would later be dubbed “Ground Zero.” McWilliams, a firefighter with Brooklyn’s Ladder 157, was walking past the North Cove marina, just a block from where the towers once stood, when he spotted an American flag on a yacht. Nobody yet knew how many people had died-save that the number would be “more than any of us can bear,” as Mayor Rudy Giuliani told reporters that afternoon. Fires burned and toxic ash choked the air in New York’s Financial District. By half past ten, both skyscrapers had collapsed. That morning, hijackers crashed two planes into the twin towers of the World Trade Center in lower Manhattan. ![]() Dan McWilliams made a spur-of-the-moment decision.
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